Ecocene - Makale Koleksiyonu
Bu koleksiyon için kalıcı URI
Güncel Gönderiler
Listeleniyor 1 - 20 / 105
Öğe The Invisible Labour Loops Project as Portal—Framing Mother Labour through Animation(Kapadokya Üniversitesi Yayınları, 2024) McGowan, JenJen McGowan is an artist, educator, and mother living in the unceded Coast Salish territory currently known as Vancouver, Canada. She holds a BFA from Concordia University and is a recent graduate of the MFA program at Emily Carr University. She has a Secondary Art BEd from UBC and has taught Animation, Film, and Art at a Public Secondary School for 15 years. In her interdisciplinary practice, she allows each project to determine the choice of medium and often repurposes the discarded material detritus of caregiving. Her work navigates maternal experience and the socio-political systems that weigh upon it.Öğe Holding On and Letting Go: Material, Grief, and Care(Kapadokya Üniversitesi Yayınları, 2024) Eaton, AlexandryaAlexandrya Eaton is a contemporary Canadian artist whose practice involves painting, textiles, and performance. Eaton has had over fifty solo exhibitions of her work and her paintings can be found in numerous public and private collections across Canada and internationally. Eaton’s research investigates alternative ways of knowing and examines how matrilineal connections can be restructured by incorporating traditional textile practices into her painting practice as a bodily form of memory, reaffirming matrilineal kinship relationships through making. Eaton earned her MFA from Emily Carr University of Art & Design in 2024.Öğe Grief Ecologies(Kapadokya Üniversitesi Yayınları, 2024) sun, prOphecyprOphecy sun (PhD) is an interdisciplinary performance artist, queer, movement, video, sound maker, and mother of three. Her practice celebrates both conscious and unconscious moments and the vulnerable spaces of the in-between in which art, performance, and life overlap. Her recent research has focused on ecofeminist perspectives, co-composing with voice, objects, surveillance technologies, and site-specific engagements along the Columbia Basin region and beyond. She is the Arts Editor for Ecocene: Cappadocia Journal of Environmental Humanities and a sessional faculty member at Emily Carr University of Art + Design. She performs and regularly exhibits in local, national, and international settings, music festivals, conferences, and galleries and has authored several peer-reviewed articles, book chapters, and journal publications on sound design, installation, performance, and domestic spheres.Öğe Ask(Kapadokya Üniversitesi Yayınları, 2024) Reda, SheriSheri Reda is a writer, educator, and performer whose stories and poems have most recently appeared in Dear Human at the Edge of Time (Paloma Press, 2023), Ecocene Journal (2023), The Healer’s Burden (University of Iowa Press, 2022), and Examined Life Journal (2021). She has recently presented stories at Fillet of Solo (2015-2022), Story Sessions (2014-2023), Is this a Thing (2018-2025) and other juried shows. Sheri is the founder and director of Flow and moment, LLC, through which she offers public speaking, facilitation, and ceremonies. She also offers programming at Wilmette Public Library and the C. G. Jung Center.Öğe Book Review: The Activist Humanist: Form and Method in the Climate Crisis(Kapadokya Üniversitesi Yayınları, 2024) Ayala-Patlán, AndrésAndrés Ayala-Patlán is a doctoral student in English at the University of Washington, where he teaches courses in composition and exposition. His research focuses on the intersections of decolonial studies and the environmental humanities in the contemporary Americas, particularly in Latinx, Black, and Indigenous literatures. Focusing on decolonial imaginaries, planetary thought, and ecopoetics, his work contributes to the emerging field of decolonial planetary ecologies. His work appears in University of Toronto Quarterly, and he holds a BA in philosophy, an MH (Master of Humanities), and an MA in English, Language, and Literature.Öğe Book Review: Lost Kingdom: Animal Death in the Anthropocene(Kapadokya Üniversitesi Yayınları, 2024) Akıllı, SinanSinan Akıllı is an associate professor of English at the Faculty of Humanities, Cappadocia University. His research interests include ecocriticism, critical animal studies, and posthumanism. Most recently, he has published his “The Rise of the Novel and the Narrative Labor of Horses in the English Novel of the Early Anthropocene” in Planet Work: Rethinking Labor and Leisure in the Anthropocene (Bucknell University Press, 2022) and contributed the article “The Agency and the Matter of the Dead Horse in the Victorian Novel” to Equestrian Cultures: Horses, Human Society and the Discourse of Modernity (University of Chicago Press, 2019).Öğe Buffer Forever(Kapadokya Üniversitesi Yayınları, 2024) Anderson, LucasLoading is an unfinished collection of looping GIFs, each work a meditation (and nostalgic dedication) to the affect of loading in the context of digital computing. The work is an output of a month-long collective exercise of repetitive creative practice: beginning on March 1st, 2020, I and two dozen other interdisciplinary artists committed to developing the same gesture each day for 31 days.Öğe A Pandemic Pregnancy: A Postpartum MFA(Kapadokya Üniversitesi Yayınları, 2024) Lipkin, Carla AnnBirth is not merely that which divides women from themselves, so that a woman’s understanding of what it is to exist is profoundly changed. Another person has existed in her, and after their birth they live within the jurisdiction of her consciousness. When she is with them she is not herself; when she is without them she is not herselfÖğe Value Studies(Kapadokya Üniversitesi Yayınları, 2024) Canlas, TheaIn Avery Gordon’s Ghostly Matters (1997), they argue that “to study social life one must confront the ghostly aspects of it” (7). And while hauntings in social realities, as Gordon describes, can call attention to what is lost, it is also the lingering impression of a repressed horror rematerializing in the presentÖğe Concentrated Fragmentations(Kapadokya Üniversitesi Yayınları, 2024) sun, prOphecyCare is often associated with maternal bodies because they provide soothing or comforting actions. However, care work is complex and goes beyond the body and is critically important for every one, species, and thing (de la Bellacasa 2010). A great deal of recent work has emphasized how mothering is an institutional cultural practice: hard, oppressive, patriarchal, yet liberating, non-binary, intersectional, multifaceted, and experiential.Öğe Banyans of Bidar(Kapadokya Üniversitesi Yayınları, 2024) Chattaraj, JhilamJhilam Chattaraj is an academic and poet based in Hyderabad, India. She has authored the books, Noise Cancellation (2021) Corporate Fiction: Popular Culture and the New Writers (2018) and When Lovers Leave and Poetry Stays (2018). Her works have been published in Mekong Review, New Contrast Magazine, One Art Poetry Journal, Calyx, Ariel, Room, Porridge, Queen Mob’s Tea House, Colorado Review, World Literature Today and Asian Cha among others. She received the CTI Excellence Award in ‘Literature and Soft Skills Development,’ 2019 from the Council for Transforming India and the Department of Language and Culture, Government of Telangana, India. She was nominated for the Nina Riggs Poetry Award, 2023.Öğe Parallel Lines(Kapadokya Üniversitesi Yayınları, 2024) Chattaraj, JhilamJhilam Chattaraj is an academic and poet based in Hyderabad, India. She has authored the books, Noise Cancellation (2021), Corporate Fiction: Popular Culture and the New Writers (2018), and When Lovers Leave and Poetry Stays (2018). Her works have been published in Mekong Review, New Contrast Magazine, One Art Poetry Journal, Calyx, Ariel, Room, Porridge, Queen Mob’s Tea House, Colorado Review, World Literature Today and Asian Cha among others. She received the CTI Excellence Award in ‘Literature and Soft Skills Development,’ 2019 from the Council for Transforming India and the Department of Language and Culture, Government of Telangana, India. She was nominated for the Nina Riggs Poetry Award, 2023Öğe This was a Forest Once(Kapadokya Üniversitesi Yayınları, 2024) Dockrey, Angelaand the land remembers, its bitterness distilled in the snap of a sage leaf: sap fusing to skin, pungent, tacky blood that sticks in the vein. Did you know sage leaves grow silvered hair? To deflect, blur—the sun that feeds also burns, so violet. That’s why the desert cannot be green. It’s easy to lose one’s way in this economy of sameness, one plant, copy pasted. Then the playa, of cracked mud, salt, white-glare memory of water. It bites the eyes. What here still endures? Tools, shells, bodies, Mesozoic wood turned to stone. Stone worn down to sand. A twisted bristlecone, five-thousand years old, bleached like bone; its roots drink from a deep place we cannot know. All endures, albeit changed. Even you, even me. As I walked in that bright and desiccated place, I thought I dreamt of water, but. It was just another pool of Light: trickling, rippling, Light withoutÖğe Review of Eco-performance, Art, and Spatial Justice in the US, by Courtney B. Ryan(Kapadokya Üniversitesi Yayınları, 2024) Gonza?lez, Sofia Ferna?ndezRyan, Courtney B. 2023. Eco-performance, Art, and Spatial Justice in the US. New York: Routledge.Öğe Review of Empirical Ecocriticism: Environmental Narratives for Social Change, edited by Schneider-Mayerson, Matthew, Alexa Weik von Mossner, Wojciech Ma?ecki, and Jèmeljan Hakemulder(Kapadokya Üniversitesi Yayınları, 2024) Nixon, LydiaSchneider-Mayerson, Matthew, Alexa Weik von Mossner, Wojciech Ma?ecki, and Jèmeljan Hakemulder. 2023. Empirical Ecocriticism: Environmental Narratives for Social Change. Minneapolis: University of Minnesota PressÖğe Review of River Woman, by Katherena Vermette(Kapadokya Üniversitesi Yayınları, 2024) Dobbie, Grace; Ugalde, Elliot GoodellMétis writer Katherena Vermette’s River Woman (2018) is an evocative poetry collection that delves into the profound connections between water and human experience. Through her verses, Vermette personifies rivers, portraying them as sisters, mothers, and lovers, emphasizing our intrinsic bond with these bodies of water.Öğe Weighed Down: Informal Recycling as Shaped by Multiple Layers of Heaviness(Kapadokya Üniversitesi Yayınları, 2024) Loots, OliviaThe proliferation of waste is a global problem. In South Africa, only 10% of all waste materials are recycled. Of those, almost 90% are recycled in the informal sector. This article draws on data collected through participant observation and 21 qualitative interviews with participants who work in the informal recycling sector as buyers, sellers, and sorters in the coastal city of Gqeberha in South Africa. Using the concept of ‘weight’ (as physical, economic, and emotional component in the workspace), I explore the ‘material-discursive’ dimensions that shape the participants’ experiences and examine the implications for their bodies and livelihoods. I argue that by recognizing the multifaceted nature of weight and addressing its distinct meanings within the context of informal recycling, it is possible to develop a more holistic view of environmental justice. This view considers the harsh, lived experiences of marginalized humans who live closest to, rely most on, or are disproportionally burdened by, wasted materialsÖğe Regarding Your Visual Attitude, and Mine—Embodied Vision in a World of Screens(Kapadokya Üniversitesi Yayınları, 2023) Kirk-Gushowaty, ArielMy current expanded cinematic project, Regarding Your Visual Attitude, and Mine (2021– present), aims to deliver a physically-led shift into a way of regarding the world that is alive and full of possibility. At times this seems impossible since this work will be shown on a screen, yet screens are so closely linked with what Baudrillard calls hyperreality.Öğe Wâhkôhtowin: Gestures in Kinship, Reciprocity, and Rematriation(Kapadokya Üniversitesi Yayınları, 2023) Felsing, LaraIn my practice, the notion of immersing myself in the natural environment and creating a bond is vital. More than ever, our current world climate motivates me to explore the urgency to prioritize my relationship with the land and its more-than-human species through sustainable and environmentally aligned research and material practice. My practice focuses on creating artwork that benefits the land and more-than-human species where I live.1 In addition, I feel an urgency for my artistic approach to echo my worldviews and inherent beliefs, to draw attention to beautiful and flawed interactions between humans, the land, and more-than-human species.Öğe Impressionable Impressions: Believing, Existing, Feeling(Kapadokya Üniversitesi Yayınları, 2023) sun, prOphecyMemories are a series of connected experiences and events. Encapsulated, fragmented, and narrative, each thread shapes the foundation of our personhood and transports us to particular moments in time. Some memories are vivid, beautiful, and continuous, and some are devastating and tragic, while others fade into the recesses of the body, hidden and awaiting. Things like artifacts, sounds, photographs, and objects—such as letters or other childhood mementos—remind us of past experiences and trigger responses
