A Line is an Edge, is a Colour, is a Shadow: Towards a Posthuman Account of Painting

dc.authorid0009-0000-2641-7419
dc.contributor.authorHarbridge, Maegan
dc.date.accessioned2023-11-20T07:25:39Z
dc.date.available2023-11-20T07:25:39Z
dc.date.issued2023en_US
dc.departmentEcocene: Cappadocia Journal of Environmental Humanities
dc.description.abstractA line is simultaneously a colour, a texture, and a tone: It is the abutting edge of positive and negative; the touching point of autonomous bodies. Following posthumanist scholars such as Sylvia Wynter, Karen Barad, and Cary Wolfe this essay employs a series of aesthetic insights on form, gathered in an abstract painter’s studio, and applies them towards a methodology of care/full looking. Care/full looking traces the contingency of formal relationships so that a more robust ethico-onto-epistemology emerges: One that displays the entanglement of matter as it materializes and intra-acts with other bodies.
dc.identifier.citationHarbridge, Maegan. 2023. “A Line is an Edge, is a Colour, is a Shadow: Towards a Posthuman Account of Painting.” Ecocene: Cappadocia Journal of Environmental Humanities 4, no. 1 (June): 1–17
dc.identifier.endpage17en_US
dc.identifier.issue1en_US
dc.identifier.startpage1en_US
dc.identifier.urihttps://doi.org/10.46863/ecocene.88
dc.identifier.urihttps://hdl.handle.net/20.500.12695/2373
dc.identifier.volume4en_US
dc.language.isoen
dc.publisherKapadokya Üniversitesi Yayınları
dc.relation.ispartofEcocene: Cappadocia Journal of Environmental Humanities
dc.relation.publicationcategoryMakale - Uluslararası - Editör Denetimli Dergi
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0/*
dc.subjectposthuman
dc.subjectdecentred human
dc.subjectpainting
dc.subjectabstraction
dc.subjectrelational
dc.titleA Line is an Edge, is a Colour, is a Shadow: Towards a Posthuman Account of Painting
dc.typeArticle

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