Critical Approach to Laughter in Peter Barnes’s Laughter!

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dc.authorid0000-0002-5008-2636
dc.contributor.authorAtasoy, Emrah
dc.date.accessioned2021-05-03T07:14:13Z
dc.date.available2021-05-03T07:14:13Z
dc.date.issued2021en_US
dc.departmentKapadokya Üniversitesi, Beşeri Bilimler Fakültesi, İngiliz Dili ve Edebiyatı Bölümü
dc.descriptionTARAMATRDİZİN
dc.description.abstractPeter Barnes’s historical play, Laughter! (1978) deals with the notion of laughter in a critical way through its representation of two parts, Tsar and Auschwitz. Laughter in Barnes’s play does not solely function to relieve misery or pain, but, rather intensifies the suffering of the characters who are exposed to various challenging situations in the course of the play. Through the analysis of ideology and the use of power, the aim of this article is, therefore, to discuss the portrayal of laughter and its problematic nature with its double sides in Barnes’s play Laughter! in order to reveal how laughter can also be a source of agony and misery rather than elation and happiness.
dc.identifier.citationAtasoy, E . (2021). Peter Barnes’ın Laughter! Oyununda Gülme Kavramına Eleştirel Bir Bakış . Söylem Filoloji Dergisi , 6 (1) , 149-156 . DOI: 10.29110/soylemdergi.865625
dc.identifier.endpage156en_US
dc.identifier.issue1en_US
dc.identifier.startpage149en_US
dc.identifier.urihttps://dergipark.org.tr/tr/download/article-file/1523837
dc.identifier.urihttps://doi.org/10.29110/soylemdergi.865625
dc.identifier.urihttps://hdl.handle.net/20.500.12695/1030
dc.identifier.volume6en_US
dc.indekslendigikaynakTR-Dizin
dc.institutionauthorAtasoy, Emrah
dc.language.isoen
dc.publisherSöylem Filoloji Dergisi
dc.relation.ispartofSöylem Filoloji Dergisi
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectPeter Barnes
dc.subjectLaughter!
dc.subjectLaughter
dc.subjectIdeology
dc.subjectPower
dc.subjectDrama
dc.titleCritical Approach to Laughter in Peter Barnes’s Laughter!
dc.typeArticle

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